I have a mug full of writing utensils next to my computer. One is a marker: MARKS-A-LOT.
Every time I see it, sitting at my desk almost daily, I become more convinced that Sir Mix-a-Lot took his stage name from a permanent, broad-tipped marker.
Hopefully, anyway, because I'd consider that absolutely hilarious. Even if it wasn't -- or, more likely, because it wasn't -- at all imaginative. It would be made all the more funny if Sir MARKS-A-LOT came by his moniker exactly as I've come to ponder how he did so. I imagine him staring at writing devices, but noticing this one in particular because the marker is bigger than the pen and pencils, and screams its brand in all-caps. He's mixing tracks in the studio, marking things up, the light bulb flickers above his head, and the ass-crazy bastard is reborn.
Which isn't a value judgment on The Rapping Marker. At least his name came from a more esoteric source than Eminem's did.
Now I'm left to ponder whether I should re-christen myself King Dual-balls (I adore Uni-ball blue, fine-point pens) or CalPod...
05 September, 2009
Deep Thoughts, by Calvin Bandini
Posted by Andy Rooney at 6:28 PM
Labels: bandini, calvin bandini, eminem, essay, fibromyalgia, sir mix-a-lot, writing
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